January
Doc Film, University of Chicago: "Du Sang, de la volupté et de la mort", "Flowers of
Asphalt", "Swain" & "Sorrows" by Gregory J. Markopoulos
February
Flexfest, Gainesville (Florida): "Ming Green" by Gregory J. Markopoulos & "Work done" by
Robert Beavers
Temenos benefit screening, Warner Screening Room, MoMA, NYC.: "Eniaios IV, reel 2" by
Gregory J. Markopoulos,
March
Tate Modern, London: Queer Surrealism, "The Dead Ones" by Gregory J. Markopoulos & "Plan of Brussels" by Robert Beavers
Courtisane, Ghent: "Sotiros" by Robert Beavers
Early Monthly Segments, Toronto: "Early Monthly Segments", "The Painting", & "Pitcher of Colored Light" by Robert Beavers
April
FilmSamstag in Tokio, Athenée Francaise, Tokio: "The Stoas" by Robert Beavers
May
Double Negative, Montreal: "Early Monthly Segments", "The Painting", & "Pitcher of
Colored Light" by Robert Beavers
Malsehen Kino, Frankfurt a. M.: "Du Sang, de la volupté et de la mort" by Gregory J.
Markopoulos
January 29 - February 3, 2009 at the Whitney Humanities
Center Auditorium, 53 Wall Street and the Yale University
Art Gallery
"My Hand Outstretched: Films by Robert Beavers"
This three-day visit will provide students and faculty
at Yale with a rare opportunity to see a wide range of
Beavers' films and to engage in an interdisciplinary dialogue
with him about his work. Please email richard.suchenski@yale.edu
with any questions. For a PDF of the flyer, enter
here.
Schedule of Events:
Thursday, January 29
7pm: First evening film screening in the Whitney Humanities
Center Auditorium with post-screening discussion.
Films will include Early Monthly Segments (1968-70/2002),
The Stoas (1991-97), and The Ground (1993/2001).
Friday, January 30
4pm: Master's Tea at Saybrook College.
7pm: Second evening film screening in the Whitney
Humanities Center Auditorium with post-screening discussion.
Films will include Ruskin (1975/1997) and Pitcher
of Colored Light (2007).
Tuesday, February 3
4pm: Presentation by Richard Suchenski on Robert
Beavers' work at the Yale University Art Gallery beginning
with a screening of Amor (1980).
Co-sponsored by the Yale Avant-Garde Film Colloquium,
the Yale University Art Gallery, the Council on European
Studies, and Saybrook College
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